Long Ago Tomorrow ( 1971 )

Long Ago, Tomorrow (1971): A Poignant Exploration of Disability, Love, and Identity

Long Ago, Tomorrow, released in 1971 (also known as The Raging Moon in some territories), is a profoundly moving British drama directed by Bryan Forbes and starring Malcolm McDowell and Nanette Newman. The film, based on the novel The Raging Moon by Peter Marshall, offers a sensitive and often heartbreaking portrayal of life within a spinal rehabilitation center and explores themes of love, identity, societal prejudice, and the struggle for independence against the backdrop of disability. While perhaps not as widely known as some of its contemporaries, Long Ago, Tomorrow stands as a powerful and thought-provoking piece of cinema that deserves rediscovery and appreciation for its nuanced characters, realistic depiction of institutional life, and unflinching look at the challenges faced by individuals with disabilities in the early 1970s.

Synopsis

The film centers around Bruce, a young, rebellious, and athletic man whose life is irrevocably altered by a debilitating illness, likely polio, that leaves him paralyzed from the waist down. Forced to confront his new reality, Bruce is admitted to a spinal rehabilitation center. Initially, he is consumed by anger, frustration, and despair, struggling to adapt to his physical limitations and the regimented environment of the institution. He finds the therapeutic exercises tedious and the patronizing attitudes of some staff members infuriating. He actively resists the prescribed routines and withdraws into himself. Within the confines of the rehabilitation center, Bruce encounters Jill, a woman also paralyzed and confined to a wheelchair. Jill, played with quiet strength and resilience by Nanette Newman, has accepted her condition with a pragmatic grace that initially irritates Bruce. She possesses a positive outlook and actively engages in the rehabilitation process, determined to regain as much independence as possible. Their relationship begins with mutual antagonism, fueled by Bruce's bitterness and Jill's attempts to encourage him. However, as they spend more time together, sharing their experiences, fears, and hopes, a deep and genuine connection develops between them. They discover a shared sense of humor, intellectual compatibility, and a profound understanding of the challenges they both face. As their love blossoms, they face numerous obstacles, both internal and external. Bruce must overcome his own internalized ableism and learn to value himself beyond his physical abilities. Jill must navigate her own insecurities and fears about the future. Externally, they encounter societal prejudices, bureaucratic red tape, and the well-meaning but often suffocating interventions of well-meaning relatives and caretakers. They yearn for independence and the chance to live a normal life, but are constantly reminded of the limitations imposed upon them by their disabilities and the attitudes of the outside world. The film follows their journey as they attempt to build a life together outside the institution, renting a small cottage in the countryside. They strive to create a sense of normalcy, but the practical challenges of daily living, coupled with the constant reminders of their physical limitations, test their relationship and their resilience. Ultimately, Long Ago, Tomorrow is a story about the power of love, the importance of human connection, and the enduring spirit of individuals who refuse to be defined by their disabilities.

Cast and Characters

Themes and Analysis

Long Ago, Tomorrow explores several significant themes, all interwoven within the narrative of Bruce and Jill's relationship and their experiences with disability:

• Disability and Identity: The film confronts the societal perception of disability as a defining characteristic, challenging viewers to see beyond physical limitations and recognize the individuals within. Bruce's initial struggle stems from his feeling that his disability has robbed him of his identity as a virile, athletic man. He must learn to redefine himself and find value in his intellectual capabilities and emotional connections. Jill, on the other hand, demonstrates a greater acceptance of her disability, but still grapples with societal expectations and her own desires for a normal life.
• Love and Connection: The film emphasizes the power of human connection and the importance of finding love and companionship, regardless of physical limitations. Bruce and Jill's relationship transcends their disabilities, offering them both a sense of belonging, understanding, and mutual support. Their love allows them to challenge societal prejudices and find joy and fulfillment in their shared lives.
• Societal Prejudice and Discrimination: Long Ago, Tomorrow exposes the subtle and overt forms of prejudice and discrimination faced by individuals with disabilities. The film highlights the patronizing attitudes of some individuals, the bureaucratic obstacles that hinder their independence, and the societal expectations that limit their opportunities. It critiques the tendency to view individuals with disabilities as helpless or incapable, rather than recognizing their potential and providing them with the necessary support to thrive.
• The Struggle for Independence: The film underscores the universal desire for independence and self-determination, regardless of physical abilities. Bruce and Jill's determination to live independently outside the institution reflects their desire to control their own lives and make their own choices. The film highlights the challenges they face in achieving this independence, including the lack of accessibility, the financial burdens of disability, and the constant need for assistance.
• Institutionalization and its Effects: The rehabilitation center is depicted as both a place of healing and a source of confinement. While it provides essential medical care and therapy, it also imposes a regimented routine and can foster a sense of dependency. The film explores the psychological impact of institutionalization on individuals with disabilities, highlighting the importance of maintaining autonomy and individuality within such environments.

Production and Historical Context

Long Ago, Tomorrow was produced in the early 1970s, a time when awareness of disability rights was beginning to grow, but societal attitudes were still largely shaped by prejudice and misunderstanding. The film reflects the increasing awareness of the challenges faced by individuals with disabilities and the growing movement for greater inclusion and accessibility. Bryan Forbes, the director, was known for his socially conscious films that often tackled controversial subjects. He brought a sensitive and empathetic approach to the story, avoiding sensationalism and focusing on the human experiences of the characters. The film's realistic depiction of life in a rehabilitation center was praised for its authenticity and its avoidance of stereotypical portrayals of disability. The film's production also benefited from the involvement of Peter Marshall, the author of the novel The Raging Moon, who collaborated on the screenplay. This ensured that the film remained true to the spirit and themes of the original novel.

Reception and Legacy

Long Ago, Tomorrow received mixed reviews upon its release. Some critics praised its sensitive and moving portrayal of disability and its strong performances from Malcolm McDowell and Nanette Newman. Others found the film overly sentimental or melodramatic. However, the film has endured over time and is now regarded as a significant contribution to the representation of disability in cinema. The film's legacy lies in its ability to challenge societal perceptions of disability and to promote greater understanding and empathy for individuals with disabilities. It has also inspired other filmmakers and artists to create more realistic and nuanced portrayals of disability in their work. Long Ago, Tomorrow remains a powerful and relevant film that continues to resonate with audiences today.

Controversies and Criticisms

Despite its positive contributions, Long Ago, Tomorrow has also faced some criticisms. Some disability rights activists have argued that the film, while well-intentioned, still relies on certain tropes and stereotypes that perpetuate negative perceptions of disability. For example, some critics have pointed to the film's focus on the characters' physical limitations as reinforcing the idea that disability is inherently tragic. Others have argued that the film's ending, while hopeful, ultimately reinforces the idea that individuals with disabilities need to be fixed or cured in order to be truly happy. These criticisms highlight the ongoing need for more diverse and authentic portrayals of disability in cinema, ones that celebrate the richness and complexity of lived experiences without relying on stereotypes or pity.

Impact on Disability Representation in Film

Despite the criticisms, Long Ago, Tomorrow played a significant role in shaping the representation of disability in film. Prior to its release, depictions of disability in cinema were often limited to stereotypical characters or sensationalized narratives. Long Ago, Tomorrow broke away from these conventions by presenting a more realistic and nuanced portrayal of individuals with disabilities, focusing on their emotional lives, their relationships, and their struggles for independence. The film's success helped to pave the way for other films that tackled the subject of disability in a more sensitive and thoughtful way. It also contributed to a growing awareness of disability rights and the need for greater inclusion and accessibility in society.

Key Scenes Analysis

Director's Vision and Style

Bryan Forbes' direction in Long Ago, Tomorrow is characterized by its sensitivity and realism. He avoids melodramatic excess and instead focuses on capturing the authentic emotions and experiences of the characters. He uses naturalistic lighting and camera work to create a sense of intimacy and to draw the viewer into the world of the rehabilitation center and the cottage where Bruce and Jill live. Forbes also elicits strong performances from his actors, particularly Malcolm McDowell and Nanette Newman, who deliver nuanced and compelling portrayals of their characters. He allows them to explore the full range of emotions, from anger and despair to joy and hope, without resorting to sentimentality. Overall, Forbes' direction is instrumental in making Long Ago, Tomorrow a powerful and moving film that continues to resonate with audiences today.

The Lasting Impact

Long Ago, Tomorrow, despite its mixed initial reception, has solidified its position as a significant film in the history of disability representation in cinema. Its nuanced characters, realistic portrayal of institutional life, and exploration of universal themes of love, identity, and independence continue to resonate with viewers. The film serves as a reminder of the importance of challenging societal prejudices, promoting inclusion and accessibility, and recognizing the inherent dignity and worth of all individuals, regardless of their physical abilities. By shedding light on the challenges and triumphs of Bruce and Jill, Long Ago, Tomorrow has helped to pave the way for more authentic and diverse portrayals of disability in film and has contributed to a greater understanding and acceptance of individuals with disabilities in society.